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By LISA MASCARO, Associated Press

WASHINGTON (AP) — House Speaker Mike Johnson said Sunday it will be a few days before a government funding package comes up for a vote, all but ensuring the partial federal shutdown will drag into the week as Democrats and Republicans debate reining in the Trump administration’s sweeping immigration enforcement operations.

Johnson signaled he is relying on help from President Donald Trump to ensure passage. Trump struck a deal with senators to separate out funding for the Department of Homeland Security from a broader package after public outrage over two shooting deaths during protests in Minneapolis against Immigration and Customs Enforcement. The measure approved Friday by the Senate would fund DHS temporarily, for two weeks, setting up a deadline for Congress to debate and vote on new restrictions on ICE operations.

“The president is leading this,” Johnson, R-La., told “Fox News Sunday.”

“It’s his play call to do it this way,” the speaker said, adding that the Republican president has “already conceded that he wants to turn down the volume” on federal immigration operations.

Johnson faces a daunting challenge ahead, trying to muscle the funding legislation through the House while Democrats are refusing to provide the votes for speedy passage. They are demanding restraints on ICE that go beyond $20 million for body cameras that already is in the bill. They want to require that federal immigration agents unmask and identify themselves and are pressing for an end to roving patrols, amid other changes.

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Democrats dig in on ICE changes

“What is clear is that the Department of Homeland Security needs to be dramatically reformed,” said House Democratic leader Hakeem Jeffries of New York said on ABC’s “This Week.”

Jeffries said the administration needs to begin negotiations now, not over the next two weeks, on changes to immigration enforcement operations.

“Masks should come off,” he said. “Judicial warrants should absolutely be required consistent with the Constitution, in our view, before DHS agents or ICE agents are breaking into the homes of the American people or ripping people out of their cars.”

It’s all forcing Johnson to rely on his slim House GOP majority in a series of procedural votes, starting in committee on Monday and pushing a potential House floor vote on the package until at least Tuesday, he said.

House Democrats planned a private caucus call Sunday evening to assess the next steps.

Partial government shutdown drags on

Meanwhile, a number of other federal agencies are snared in the funding standoff as the government went into a partial shutdown over the weekend.

Defense, health, transportation and housing are among those that were given shutdown guidance by the administration, though many operations are deemed essential and services are not necessarily interrupted. Workers could go without pay if the impasse drags on. Some could be furloughed.

This is the second time in a matter of months that federal operations have been disrupted as Congress digs in, using the annual funding process as leverage to extract policy changes. Last fall, Democrats sparked what became the longest federal shutdown in history, 43 days, as they protested the expiration of health insurance tax breaks.

That shutdown ended with a promise to vote on proposals to extend the Affordable Care Act tax credits. But the legislation did not advance and Democrats were unable to achieve their goal of keeping the subsidies in place. Insurance premiums spiked in the new year for millions of people.

Trump wants quick end to shutdown

This time, the administration has signaled its interest in more quickly resolving the shutdown.

Johnson said he was in the Oval Office last week when Trump, along with border czar Tom Homan, spoke with Senate Democratic leader Chuck Schumer of New York to work out the deal.

“I think we’re on the path to get agreement,” Johnson said on NBC’s “Meet the Press.”

Body cameras, which are already provided for in the package, and an end to the roving patrols by immigration agents are areas of potential agreement, Johnson said.

But he said taking the masks off and putting names on agents’ uniforms could lead to problems for law enforcement officers as they are being targeted by the protesters and their personal information is posted online.

“I don’t think the president would approve it — and he shouldn’t,” Johnson said on Fox.

Democrats, however, said the immigration operations are out of control, and it is an emergency situation that must end in Minneapolis and other cities.

Growing numbers of lawmakers are calling for Homeland Security Secretary Kristi Noem to be fired or impeached.

“What is happening in Minnesota right now is a dystopia,” said Sen. Chris Murphy, D-Conn., who led efforts to hold the line for more changes.

“ICE is making this country less safe, not more safe today,” Murphy said on “Fox News Sunday.”

South Floridians awoke Sunday to find “frozen” iguanas in their yards, streets, sidewalks and driveways after record low temperatures stunned the invasive reptiles.

At 8:50 a.m., 10 minutes before the Florida Wildlife Conservation Commission opened its Sunrise drop-off location Sunday morning, John Bridgman and his wife, Lindsey, waited with a trash bag filled with two dozen iguanas.

The FWC opened five designated drop-off offices in the South and Southwest regions on Sunday and Monday to temporarily allow people to remove live, cold-stunned green iguanas from the wild without a permit.

When temperatures drop and sustain to near-freezing or below, reptiles and amphibians, including nonnative green iguanas, can go into a state of torpor, where they temporarily lose muscle control and appear “frozen,” according to the FWC.

“We got a few babies … one was pretty big,” John Bridgman said. “We went around our yard, and the rest had just fallen in the road or onto sidewalks in our community.”

Bridgman, a native New Yorker, said over his 24 years in Florida, he typically places “frozen” iguanas in the sun to defrost. This year, he saw the FWC notice about the drop-off locations. “Our HOA usually hires someone to catch them and get rid of them because of issues with them and the pool. I’m an outdoorsman and figured this is a way to help the state.”

While the Bridgmans were among the first iguana drop-offs, hundreds more followed. South Floridians brought cold-stunned iguanas in trash bags, plastic tubs and garbage pails.

A cold-stunned Cuban Knight Anole is surrendered to the Florida Wildlife Commission, Sunday, Feb.1, 2026, at the field office in Sunrise. (Joe Cavaretta/South Florida Sun Sentinel)

Sunday’s cold snap provided an opportunity to capture and transport iguanas which have invaded South Florida communities, eating landscaping and pooping in swimming pools. The FWC’s executive order provided a unique opportunity for the public to remove green iguanas from their property and bring them to the FWC, without a permit, “for humane killing or, in some cases, transfer to permittees for live-animal sales.”

Tyler Dawson, originally from Canada, brought five “frozen” green iguanas in a milk crate to the Sunrise location. He had collected them from along Orange Drive in Davie, an area abundant with the green iguanas that typically scatter across the bike path.

A "frozen" iguana on the pavement in South Florida early Sunday, Feb. 1, 2026. (Joe Cavaretta/South Florida Sun Sentinel)

Brayden Carr, of the FWC, placed the captured reptiles into cloth sacks.

Across the tri-county area on Sunday, South Florida residents posted photos and videos on social media showing “frozen” iguanas in their driveways, streets and yards, some having fallen from trees. Some posts included curious dogs encountering them.

South Florida Sun Sentinel reporter Cindy Goodman can be reached at cgoodman@sunsentinel.com.

Drop-off locations include:
FWC South Florida Regional Lab, 2796 Overseas Highway 119, Marathon, FL 33050
FWC Office, 10052 NW 53rd Street , Sunrise, FL 33351
FWC Tequesta Field Lab, 19100 SE Federal Highway (US 1), Tequesta, FL 33469
FWC Law Enforcement Office, 2423 Edwards Drive, Fort Myers, FL 33901
FWC Southwest Regional Office, 3900 Drane Field Road, Lakeland, FL 33811

By MARIA SHERMAN, Associated Press

LOS ANGELES (AP) — The 68th annual Grammy Awards will take place Sunday with a dramatically different tone than last year.

The 2025 award show was completely reimagined and refocused to relief efforts following the devastating Los Angeles-area wildfires. In 2026, focus has been placed once again on the music, where Kendrick Lamar, Lady Gaga, Bad Bunny and more will go head-to-head.

Comedian Trevor Noah will host for a sixth and final year and history could be made when some of the biggest names in music gather. Here’s some key things to know ahead of Sunday’s show at the Crypto.com Arena.

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How to watch the show and red carpet

The main show will air live on CBS beginning at 8 p.m. Eastern on Feb. 1.

The Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV.

Paramount+ premium plan subscribers will be able to stream the Grammys live; Paramount+ essential subscribers will have on-demand access the next day.

The premiere ceremony will take place just ahead of the Grammys’ ceremony at 3:30 p.m. Eastern, 12:30 p.m. Pacific at the Peacock Theater in Los Angeles. It can be streamed at the Recording Academy’s YouTube channel and on live.GRAMMY.com.

The Associated Press will stream a four-hour red carpet show with interviews and fashion footage. It will be streamed on YouTube and APNews.com ahead of the Grammys on Sunday.

Who’s nominated at the 2025 Grammys

Kendrick Lamar leads the 2026 Grammy Award nominations with nine. Lady Gaga, Jack Antonoff and Canadian record producer/songwriter Cirkut follow with seven nominations each.

Sabrina Carpenter, Bad Bunny, Leon Thomas and Serban Ghenea all boast six nominations. Andrew Watt, Clipse, Doechii, Sounwave, SZA, Turnstile and Tyler, the Creator have five each.

This combination of photos show Jack Antonoff, left, Kendrick Lamar, center, and Lady Gaga. (AP Photo) Who’s attending and performing at the Grammys

Doechii, Harry Styles, Carole King, Chappell Roan, Charli xcx, Jeff Goldblum, Karol G, Lainey Wilson, Marcello Hernández, Nikki Glaser, Q-Tip, Queen Latifah and Teyana Taylor will present at the 2026 Grammys.

Performers include Justin Bieber, Clipse, Pharrell Williams, Sabrina Carpenter Bruno Mars, Rosé, Tyler, the Creator, Lady Gaga and all eight of this year’s best new artist nominees: Leon Thomas, Olivia Dean, global girl group Katseye, The Marías, Addison Rae, sombr, Alex Warren and Lola Young.

Reba McEntire, Brandy Clark and Lukas Nelson will take the stage for the in memoriam. Ms. Lauryn Hill will pay tribute to D’Angelo and Roberta Flack. Post Malone, Andrew Watt, Chad Smith, Duff McKagan and Slash will honor Ozzy Osbourne.

Karol G arrives at the Pre-Grammy Gala on Saturday, Jan. 31, 2026, at the Beverly Hilton Hotel in Beverly Hills, Calif. (AP Photo/Chris Pizzello)

By MARIA SHERMAN, Associated Press

NEW YORK (AP) — Sunday’s Grammys mark a return to normalcy after the 2025 show was altered to focus on Los Angeles-area wildfire relief efforts.

“I think we will see some history-making moments,” Recording Academy CEO and President Harvey Mason jr. told The Associated Press. “With artists being nominated in categories they haven’t been previously nominated in, and a new crop of talent coming through the system this year — I think we’re going to see some really exciting results.”

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Here’s how to watch the 2026 Grammys, including how to stream and where you can see music’s biggest stars walking the red carpet.

How do I watch the Grammys?

The main show will air live from LA’s Crypto.com Arena on CBS beginning at 8 p.m. Eastern. Paramount+ premium plan subscribers will be able to stream the telecast live, too. (Paramount+ essential subscribers will have on-demand access the next day.)

The Grammys can also be watched through live TV streaming services that include CBS in their lineup, like Hulu + Live TV, YouTube TV and FuboTV.

The Premiere Ceremony will take place ahead of the Grammys telecast, at 3:30 p.m. Eastern from the Peacock Theater. It can be streamed at the Recording Academy’s YouTube channel and on live.GRAMMY.com.

How can I watch the red carpet?

The Associated Press will stream a four-hour red carpet show with interviews and fashion footage. It will be streamed on YouTube and APNews.com.

Parts of South Florida awoke Sunday to record low daily temperatures, the coldest in more than a century, according to the National Weather Service in Miami.

At the national weather station near Miami International Airport, a preliminary report showed the temperature at 35 degrees Fahrenheit at 6:53 a.m. That’s a degree lower than the daily record set in 1909 at 36 degrees. Similarly, at Palm Beach International Airport, the temperature recorded by the National Weather Service at 6:53 a.m. was 31 degrees, well below the daily record set in 1909 of 36 degrees.

In Fort Lauderdale, the temperature at the national weather station near Fort Lauderdale-Hollywood International Airport at 6:53 a.m. was a chilly 35 degrees, just slightly above the daily record low of 33 degrees recorded in 1966.

Tyler Dawson hands over iguanas to Brayden Carr of the Florida Wildlife Commission, Feb.1, 2026, at the field office in Sunrise. The FWC said it received hundreds of cold-stunned iguanas as temperatures dipped into the 30s in Broward County on Sunday. (Joe Cavaretta/South Florida Sun Sentinel)

“Overall, this was our coldest snap since 2010,” said Ana Torres-Vazquez, a spokesperson for the National Weather Service in Miami.

A strong cold front crossed South Florida overnight Saturday into Sunday, with gusty northwesterly winds that affected western portions of the metro zones in the tri-county area. Freeze warnings had been issued for much of the area, and a few far inland areas did reach the freezing mark of 32 degrees.

By 11 a.m., temperatures at the weather stations were at 40 degrees — still cold enough for South Florida residents to don winter jackets and photograph frozen iguanas in their yards.

Along Las Olas in Fort Lauderdale, restaurants brought out heaters for outside diners on Sunday, Feb. 1. 2026. (Joe Cavaretta/South Florida Sun Sentinel)

On Sunday, South Floridians were in full winter mode. Along Las Olas in Fort Lauderdale, restaurants brought out heaters for outside diners. At the Fort Lauderdale Swap Shop, Maria Morales sold heavy winter coats as the morning temperature there hovered around 40 degrees. And, at Flamingo Gardens in Davie, animal caretakers brought heat lamps in to keep the parrots warm and the flamingos buried their heads under their wings.

The forecast shows another near-freezing night ahead, with temperatures dropping to the mid-30s by Monday morning. The wind chill is expected to make it feel like the 20s. Another cold front is expected next weekend.

Sun Sentinel reporter Cindy Goodman can be reached at cgoodman@sunsentinel.com.

Before I tell you why you should watch the new documentary about Mel Brooks, I will tell you that 25 years ago, he told me, “You may be right. I have done everything there is to do in show business. … Everything except to be tall. That’s the one thing I’ve never accomplished, being tall. But I’m looking forward to that.”

He was a relative youngster then, 74 years old, but at a very important point in his life. He was generally regarded as a comedic giant, and why not? He had spent his life making people laugh, first as a Catskills comic and then as part of a glittering writing team (along with Woody Allen and Neil Simon) for Sid Caesar’s pioneering TV programs “Your Show of Shows” and “Caesar’s Hour”; as the co-creator of “Get Smart”; as the 2000 Year Old Man on a series of best-selling comedy albums with pal Carl Reiner; as movie writer, director, producer and actor in such films as “The Producers,” “Young Frankenstein” and “Blazing Saddles.”

But he had not had a critical or box-office hit since his 1977 Hitchcock spoof “High Anxiety.” And there he sat on a cold December day in 2000 in New York, taking a big risk, for many believed that the success or failure of the musical version of “The Producers” he was overseeing would provide the final sentence to his career.

Well, we all know what happened. “The Producers” would open in Chicago, move to Broadway and win a record 12 Tony Awards. The career carried on, and now here is Brooks, as charming, smart and, of course, funny as ever, as the centerpiece of a thoughtfully thrilling documentary now airing on HBO Max. “Mel Brooks: The 99 Year Old Man!,” exclamation point more than justified.

It may be a bit long at almost four hours (in two episodes, now streaming), but it is impossible not to enjoy. Its length is forgivable since one can sense the excitement and affection of filmmaker Judd Apatow, who interviews Brooks at length. Apatow, along with co-director Michael Bonfiglio, has previously also captured in documentary form George Carlin and Garry Shandling.

Drawing on ample archival footage and candid interviews, he and Bonfiglio take us back to the beginning with Brooks (born Melvin Kaminsky), the youngest of four boys of a widowed mother in Brooklyn, all of them off to World War II, all safely returned, with Brooks telling Apatow, “War changed me. If you don’t get killed in the Army, you can learn a lot.”

Antonio Perez / Chicago TribuneCustomer Ronnie Holloway looks over Panini American Trading Card Co. cards featuring everyone from American presidents to golf legends at Elite Sports Cards and Comics in Chicago on March 28, 2018.

His career moves to the raucous Sid Caesar writers’ room and we do also hear, rather wistfully, from Brooks’ three children and his first wife, former Broadway dancer Florence Baum, before he was off to moviemaking in California in the early 1960s. His granddaughter Samantha is charming.

You will hear Brooks tell a terrific Cary Grant story (one he has told many times over the years on the various late-night talk shows where he has been a frequent guest) but, more tenderly, tales of his courtship and marriage to actress Anne Bancroft. Gene Wilder shares feelings that go far deeper than director and star. And we get details of Brooks’ long friendship with writer-director Reiner, from the early 1960s to their sharing dinners together as widowers every night watching “Jeopardy” on TV.

Bancroft died in 2005; their son, novelist Max, is tender in interviews. Reiner’s wife Estelle died in 2008 and Reiner in 2020. Hearing Reiner’s son, filmmaker Rob, talk about his father and Brooks gives one a chill, knowing this was one of the final conversations before he and his wife Michele Singer Reiner’s December murders.

The number of people with whom Brooks has shared his creative life will impress and perhaps surprise you. There’s Richard Pryor, who did a bit of writing for “Blazing Saddles,” who says, “He’s a loving man. It’s about love with him.”

The late director David Lynch credits Brooks with saving his career by hiring him to direct “The Elephant Man” after seeing Lynch’s “Eraserhead.” In addition to his own movies, Brooks produced such films, through his Brooksfilms, as “The Fly,” “My Favorite Year,” “Frances” and others, taking a rare low profile lest his name lead moviegoers to think they would be seeing comedies.

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Naturally, we hear from a large crowd of showbiz folks and all of them — Ben Stiller, Jerry Seinfeld, Dave Chappelle, Sarah Silverman, Conan O’Brien, Josh Gad, Robert Townsend, Matthew Broderick, Nathan Lane and others — are complimentary. There must be someone in that backbiting swamp that is Hollywood who isn’t a Brooks fan, but such a person is not to be found here.

Whatever your relationship with Brooks beforehand, this film will enrich it. Will you understand what makes him tick? I don’t know, and you won’t care. Just spending time with him is satisfying enough.

His famously quick wit has not lost a step. When Apatow asks, “You lost your father at an early age?” Brooks quickly replies, “No, no. My father died.”

His ability to recall names and places and laughs is, frankly, astonishing. He is not only able to remember but to enjoy, to savor. We should all be so lucky.

In the film, he says, “Sometimes my comedy is just to celebrate the joy of being alive.” And as he has said many times in his many years, he has always used humor as “a defense against the universe.” Few, if any, have done it better.

rkogan@chicagotribune.com

By MARK KENNEDY, AP Entertainment Writer

NEW YORK (AP) — Some people see the glass as half full and some as half empty. Marc Shaiman is something else entirely.

“I’m not even happy with the glass,” he says with a laugh.

The award-winning Hollywood and Broadway composer and lyricist cheerfully likes to call himself an “Eeyore” and “a card-carrying pessimist” despite many of his biggest dreams coming true.

“Just as soon as something good happens, something bad’s going to happen,” he tells The Associated Press. “I am always waiting for that other shoe to drop, and it inevitably drops.”

His career and personal ups and downs are on full display this winter with Tuesday’s publication of his memoir, “Never Mind the Happy: Showbiz Stories from a Sore Winner,” which is filled with funny stories from a man who has helped fuel popular movies and musicals for decades.

“I’ve been lucky enough to do a lot and I’ve been lucky enough to have an outrageous longevity. I thought, ‘Let me write it down, finally,’” he says.

This cover image released by Regalo Press shows “Never Mind the Happy: Showbiz Stories from a Sore Winner,” a memoir by Marc Shaiman. (Regalo Press via AP) Tales of Bette Midler, Stephen Sondheim and the ‘South Park’ guys

The memoir charts the New Jersey-born musical prodigy’s rise from Bette Midler’s musical director in his teens to scoring such films as “Sleepless in Seattle” and “Mary Poppins Returns” and Broadway shows like “Hairspray” and “Catch Me If You Can.”

He’s worked with Billy Crystal, Martin Short, Luther Vandross, Raquel Welch and Rob Reiner, sparred with producer Scott Rudin and had a spat with Nora Ephron (“I’m certain she’s in heaven, telling all the angels she doesn’t like harps,” he writes). He also played at the White House and was a force in the early days of “Saturday Night Live.”

There was the time in 1999 that he got legendary composer Stephen Sondheim so high on pot at a party in his apartment that the iconic composer collapsed three times. “I’ve killed Stephen Sondheim,” he thought to himself. (Sondheim asked him to tell the story only after he died.)

He tells the story of hearing Meryl Streep repeatedly working on a song for “Mary Poppins Returns.” Moved, he and his writing partner, Scott Williams, knocked on her door to say how impressed they were by her dedication to rehearse. “Well, guys, fear can be a powerful motivator,” she told them.

“I’m mostly just trying to show how human everyone is — even these bold-faced names,” Shaiman, a two-time Grammy winner and two-time Emmy winner, says in the interview.

Shaiman isn’t above mocking himself, as he does for becoming an inveterate pothead and cocaine user. “I should go into the Guinness Book of World Records for being the only person who put on weight while being a cocaine addict,” he writes.

There are stories about how a misunderstanding over an unpaid bill with Barbra Streisand left him shaken for days and the time he insulted Harry Connick Jr. (Both would later reconcile.)

Then there was the time he found himself dressed in an ostentatious powder-blue suit and feather boa alongside Matt Stone and Trey Parker on a red carpet for “South Park: Bigger, Longer & Uncut” — they were dressed as Gwyneth Paltrow and Jennifer Lopez.

One lesson from Shaiman: ‘Show up’

One lesson Shaiman hopes to teach aspiring artists is to go for it: “What you can do is show up. Show up to everything. Say yes to everything because I’m a good example of that.”

He tells the story of Midler organizing a world tour and offering his services but being told she was only hiring local Los Angeles people. So he withdrew all his money from the bank, hopped on a flight from New York and called her from a phone booth: “I’m in L.A. Where’s rehearsal?”

“Even if you don’t get the job, keep your spirit up because someone in that room is going to remember you for another thing. That’s the thing I think to really learn from the book,” he says.

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As a sign of Shaiman’s pull on Broadway, the audiobook will feature performances by Crystal, Short, Matthew Broderick, Megan Hilty, Nathan Lane, Katharine McPhee and Ben Whishaw, among others.

“I had included a lot of lyrics in the book and then I suddenly realized, ‘What, am I going to sing them all or speak them all?’ So I started calling friends, some who had sung those songs and some who had sung the demos,” he says.

Crystal met Shaiman at “Saturday Night Live” and quickly hit it off. In a separate interview, Crystal called his friend funny and quick to improvise, with an almost photographic memory of music.

“Look at his range: From ‘Misery’ to the beautiful score from ‘The American President.’ And I brought him in on ‘61(asterisk)’ and then the ‘Mr. Saturday Night’ score,” Crystal says. “He’s just so uniquely talented as an artist.”

Despite being a Tony Award winner in 2003 with “Hairspray” and earning two other nominations for “Catch Me If You Can” in 2011 and “Some Like It Hot” in 2023, Shaiman is flustered by Broadway.

His last two shows — “Smash” and “Some Like It Hot” — earned great reviews but closed early, a victim of high costs and fickle audiences.

“I wish the shows kind of stunk and I could go, ‘Oh, man, that really stunk. People are really not liking this,’” he says. “But when they’re enjoying it?”

Shaiman really has nothing else to prove and yet he laughs that his skin has gotten thinner — not thicker — over the years. He’d like to take it easy, but that’s not what Eeyores do.

“I don’t know how well I’ll actually do with retirement, but I’d like to give it a try.”

By Gretchen McKay, Pittsburgh Post-Gazette

Woe to the cookie, cake or waffle lover who discovers, often after years of stomach upset, fatigue and skin issues, that the culprit of their health issues is gluten, the protein found in grains like wheat, barley and rye.

Most everything you find in a bakery, grocery store cookie aisle or on the sweet side of a breakfast menu is made with flour. Which means that those with gluten sensitivities or allergies are often out of luck when it comes to sweet treats.

One of my sons has celiac disease so I’m always on the lookout for gluten-free products that don’t include hidden sources of gluten such as soy sauce or malt vinegar and actually taste good, or at least good enough to justify the high cost. (Gluten-free cereals, pasta and snacks can be up to 139% more expensive than their gluten-containing counterparts, according to the nonprofit Celiac Disease Foundation.)

Dilettoso, a gluten-free baking mix brand founded by Italian nutritionist Stefania Dilettoso in 2024, offers a tasty and super-convenient solution for the home cook.

Dilettoso baking mixes, which come in Vava Vanilla, Choc-o-Lotta and Bella Berry flavors, are an easy way to make a quick and easy gluten-free breakfast for your child. (Gretchen McKay/Pittsburgh Post-Gazette/TNS)

Made with a blend of finely ground organic whole oat and brown rice flours, organic tapioca starch and natural flavorings, its Amore mixes are low-fat, preservative-free and because no sugar is added, fairly low cal (a serving counts just 120 calories).

For many people, texture is just as important as taste in baked goods. Because these mixes are made with naturally absorbent oat flour, the batter retains its hydration and bakes up light and fluffy. When it comes to breakfast foods, that translates into pancakes and waffles that rise beautifully, with an airy, light interior.

They’re available in three kid-friendly flavors — Choco-Lotta, Bella Berry and Vava Vanilla — and can used to make pancakes and waffles with the addition of water or milk (and an egg, if you want the extra protein). They also can be used as a gluten-free base for cookies, brownies, cakes and muffins with the addition of other ingredients.

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One 10-ounce box of the Amore mixes — Italian for “love” — makes around 15 4-inch mini waffles or a half-dozen 7-inch regular waffles.

We tried the Vava Vanilla variety, which like the other mixes is leavened with baking soda and cream of tartar.

My toddler grandson gobbled them down just as quickly as the “regular” pancakes he gets to eat on weekends with my husband and me at Eat’n Park. But the real thumbs up came from my son, who said they were “pretty good” for a gluten-free product.

However, their price means they will probably be reserved for special occasions. They were $13.95 per box on Amazon (or $35 for a three-pack and $49.50 for a six-pack). That’s nearly $2 a waffle or 93 cents per mini waffle.

©2026 PG Publishing Co. Visit at post-gazette.com. Distributed by Tribune Content Agency, LLC.